![]() Snapshots I have gathered over the years (newest first):Īce Combat 2âs playable aircraft have no undersides or noses. The first tools for extracting AC3âs archives have appeared there.Īce Combat 3 - hack and translation wiki is maintained by modder Infrid to gather knowledge on AC3âs internals. He made an amazing catalog of all planes using my Lean Viewer. RythusOmega is a hardcore fan and his Twitter is full of images and important facts. Runway 25 Productions recorded some astonishing VR footage using the extracted Ace Combat 3 models. Ostrich used my extracted Ace Combat 2 data to remake the Death Rave 2000 skin for Ace Combat 7 ( side-by-side). RauuruKun on DeviantArt uses my Lean Viewer to draw fantastic wallpapers. Anything concerning AC3 can be found there. USEA Today is the blog of DragonSpikeXIII, head of Team Nemo, who translated the Ace Combat 3 from Japanese to English. The thread starts in German, but we quickly switched to English when international readers joined. You can always reach me at German game developers forum ZFX is my home, and I document my data analysis in Extracting Ace Combat. Unpack_ULZ (public domain) â extracts the compression of Ace Combat 3, Ace Combat 5, and Time Crisis place unpack_AC3.exe in one folder with ACE.BPB & ACE.BPH and run.place unpack_AC2.exe in one folder with ACE2.DAT (for the demo, rename D.T to ACE2.DAT) and run.Unpack_AC3 and unpack_AC2 (public domain source code) â extract the archives of Ace Combat 2 and Ace Combat 3 This is where I gather my stuff: DownloadsĪC3 levels and models â all models and textures from Ace Combat 3, converted to VRML/Bitmap, with Lean Viewer ![]() I extracted the levels, models, and sounds from the 1999 PlayStation game Ace Combat 3: Electrosphere (and discovered two unused levels by the way).
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![]() All I want is boundless love.Įven trees understand me! Good heavens, I lie under them, too, don't I? I'm just like a pile of leaves. ![]() Why should I share you? Why don't you get rid of someone else for a change? Which is not going to go wasted on me which is why I’m telling you about itĪm I to become profligate as if I were a blonde? Or religious as if I were French?Įach time my heart is broken it makes me feel more adventurous (and how the same names keep recurring on that interminable list!), but one of these days there'll be nothing left with which to venture forth. It seems they were all cheated of some marvelous experience Or for that matter Marino Marini when he didn’t pick the rider as carefully When they never got the right person to stand near the tree when the sun sank Just as at home I never think of the Nude Descending a Staircase orĪt a rehearsal a single drawing of Leonardo or Michelangelo that used to wow meĪnd what good does all the research of the Impressionists do them Which thank heavens you haven’t gone to yet so we can go together for the first timeĪnd the fact that you move so beautifully more or less takes care of Futurism You suddenly wonder why in the world anyone ever did themĪt you and I would rather look at you than all the portraits in the worldĮxcept possibly for the Polish Rider occasionally and anyway it’s in the Frick In the warm New York 4 o’clock light we are drifting back and forthīetween each other like a tree breathing through its spectaclesĪnd the portrait show seems to have no faces in it at all, just paint It is hard to believe when I’m with you that there can be anything as stillĪs solemn as unpleasantly definitive as statuary when right in front of it Partly because of the secrecy our smiles take on before people and statuary Partly because of the fluorescent orange tulips around the birches Partly because of my love for you, partly because of your love for yoghurt Partly because in your orange shirt you look like a better happier St. Or being sick to my stomach on the Travesera de Gracia in Barcelona The small treasures that make up the exhibition are not usually in sight in the Frick, so the exhibition revealed an unknown aspect of this large New York collection.Is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne ![]() While the landscapes of Ticiano, Claude, Constable and Corot present a brief overview of the traditions of this genre, the public also enjoy curious examples of inventive imagination through the drawings of Goya, Fuseli and Liotard. This interesting group of objects, each unique in its own right, shows a variety of schools, periods, techniques and subjects. Also, a drawing by Claudio de Lorena illustrating one of his classic 17th-century landscapes is also present in the exhibition the meticulous oil cloud studies of the 18th-century British painter, John Constable, and a watercolor with annotations by Eugenie Delacroix illustrating his journey to Morocco in 1832. The selection includes an engraving, a watercolor, four drawings and four oil sketches, spanning four centuries of artistic production, from Melancolia I of 1514, one of Alberto Durero’s most intriguing engravings, to Jean-Baptiste-Camille Corot’s 1843 oil sketch, entitled The Arch of Constantine and the Roman Forum. The Frick Collection’s Small Treasures exhibition presents an intimate sample of ten works, mostly on paper, from the Frick Collection in New York. ![]() ![]() ![]() In 2007, I lived for six months in a silent monastery. I lived in Budapest, Hungary in 2003 as a Gilman Scholar. My paper Bunuel and Surrealism: The Changing Manifestations won best paper at the 2012 Conference of The Americas. ![]() I have published poetry and prose in various publications including The Tulane Review, Paste Magazine and Dabel Brothers. You can find it here: am also Creative Director of Contemplative Light and host The Contemplative Light Podcast. These are audio segments to listen to again and again. I used this as a companion to my work with Bardon, and it greatly helped me with the soul schooling and working with the elements, as well as tuning into the Akasha. I am now offering a digital class on The Sedona Method, a system of emotional release. If you are possibly interested in getting coaching from me, email me at and we'll go from there. I have achieved all of the abilities in Intitiation Into Hermetics except for levitation. I am an Executive Spiritual Coach for practitioners of Franz Bardon. I share about the many wonders of step 9. I have studied and done my own work in Advaita Vedanta, Buddhism, Shamanism, NLP, CBT, psychoanalytic models, Integral Theory, body therapy, and sound healing.Thanks for listening and many blessings to you all! They were written with the intention of allowing students who wished to practice magic the means to do so if they could not study under a teacher.I give an overview of step 10 and share some thoughts about process. Students of his, such as William Mistele and Rawn Clark consider him to have written the best training programs of any magician of the 20th century. While some elements of the story are based on Bardon's real life experience, most of the book was written as an occult novel with much embellishment on the part of Votavova.Bardon's works are most notable for their simplicity, their relatively small theoretical sections, and heavy emphasis on practice with many exercises. Though the book lists its author as Bardon, it was actually written by his secretary, Otti Votavova. He is best known for his three volumes on Hermetic magic: Initiation Into Hermetics, The Practice of Magical Evocation, and The Key to the True Quabbalah.An additional fourth work attributed to him by the title of Frabato the Magician, supposed by many of his students to be a disguised autobiography. Franz Bardon (1909–1958) was a Czech stage magician and teacher of Hermetics. ![]() Make each bullet count!GUN GAMETwo teams fight one another, with individual players working their particular way through all of the weapons in the game. Critical Ops Mod APK is a 3D MULTIPLAYER FPS made specifically for mobile devices. Critical Ops: Online Multiplayer FPS Shooting Game(Mod Menu)1.35.0. Dominate the battlefield!TEAM DEATHMATCHTwo opposing teams battle it out in a timed deathmatch. Boom Stick: Bazooka Puzzles v2.9.3 MOD APK download free for Android, developed by. 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If you want to analyze incoming traffic with a specific arrival time, you can use this filter to get the relevant information. You can use this filter if you want to analyze the traffic that goes in or out of a specific port. This convenient filter lets you filter packets containing the word “traffic.” It’s particularly valuable for those who want to search for a specific user ID or string. If you want to filter DNS responses, use this syntax: “ = 1”. Ensure not to use quote marks when entering the filter. If you want more specific results and display only DNS queries, use this syntax: “ = 0”. All you have to do to view only DNS traffic is to enter “dns” in the Filter field. Wireshark lets you filter captured packets by DNS. Instead of wasting hours going through large amounts of information, Wireshark lets you take a shortcut with filters. ![]() Ensure to replace “macaddress” with the destination address and remember not to use quote marks when applying the filter. 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Jayco purchased the RV Division of Starcraft Corp.In 1984, Lear Siegler (Learjet) acquired Starcraft.Starcraft became the first company to manufacture luxury van conversions in 1977.Added “travel trailer manufacturer” to our list of accomplishments in 1968.Lloyd Bontrager (who later founded Jayco) invented the first lifter mechanism in 1963 and ran operations at Starcraft until 1967.Became a camper manufacturer in 1964 by introducing three models of tent campers (Starmaster, Starliner and Star Rambler).1920s to 1950s: Became a national galvanized steel boat maker. ![]() Produced its first rowboat in 1915 and changed name to Star Tank & Boat Company.of Goshen, IN, manufacturing metal farm equipment. Here are some of the highlights from our storied past. 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Our number one goal at DollarSprout is to help readers improve their financial lives, and we regularly partner with companies that share that same vision. These are marked with on-screen guitar picks. Like earlier titles Hero Power (previously called Star Power) can be collected by correctly playing a specific series of blue notes on a track. There is also a casual difficulty level where only the strum bar needs to be used. ![]() On the casual difficulty only one row of buttons is used (white notes) and on higher ones (starter and especially advanced) there are often quick combinations of buttons in multiple rows. Each song can be played in multiple difficulty levels. A note becomes a black and white square when two buttons need to be pressed together. There are three lanes and a white and a black colour is used to differentiate between the top or the bottom row on the instrument. While playing notes appear on a scrolling “highway” in the centre of the screen with the video playing behind it. ![]() The instrument has been redesigned for six fret buttons instead of three and they are now lined up in two rows of three buttons. The game is sold as a bundle with one or two guitar controllers and also as a retail package for the mobile iOS platform where the game itself is downloaded for free with an in-app purchase of $50 to unlock the full digital content. Based on the player’s performance there are dynamic transitions in the video, as the band members will encourage or scold you and the same goes for the audience. While playing the camera shifts between watching and interacting with the band members and the audience. In the Guitar Hero Live mode each song is now played from the perspective of the guitarist during a real-world concert setting using full motion video footage. The largest difference compared to earlier titles is in the presentation. Unlike the contemporary Rock Band 4 there is no backwards compatibility with instruments of content from earlier games. The core concept is identical: players use a plastic guitar peripheral to play the guitar sections of songs by following the cues on the screen and pressing the matching buttons on the instrument in time. ![]() Guitar Hero Live is an entry in the Guitar Hero series and a reboot of the franchise after the hiatus following Guitar Hero: Warriors of Rock in 2010. ![]() If you like how your jpeg looks you might not want to waste hard drive space on storing the raw. So when you decided to export the raw without any adjustments you are exporting a flat unprocessed picture. Basically, that means you are expected to do the post-processing, so adjusting white balance, noise reduction, etc. When you capture the picture and it is saved as a raw picture there is very minimal processing. When it captures a picture it makes those adjustments and saves them as a jpg and throws away a lot of information. Think of things like white balance, contrast, noise reduction, etc. When you take a picture with your camera it makes choices about how to process it. Choose there something other than "Adobe Standard" and see how you like it. If you happen to like JPEGs out of camera, you can use the recommended raw converter, as MBaz so rightfully points out or you can try Adobe emulation based on reverse engineering of in-camera results, those are available under "Camera Calibration", in "Camera Profile" drop-down. Fortunately, off-line converters are rather flexible, and it is not hard to get what you want out of them. Decisions "in bad taste" happen too, (even) with the raw converters recommended by the cameramakers (that includes in-camera converters). There are also bugs, like premature clipping of the highlights, wrong black levels, incorrect midtone calibrations, poor colour transforms, ignoring sample variation. If you are not into reproduction, there is no right or wrong there is "I like this more", "I like this less", "I do not like it at all". But the sole reason for the existence of different film developers is to produce different images.Įvery cameramaker changes their in-camera JPEG engine once in a while, sometimes between camera generations, sometimes with a firmware upgrade. It would not be reasonable to expect exactly the same results even from 2 different mini-labs printing the same negative, using the same paper and the same chemistry. In many ways, raw converters are like film developers. You can get different JPEGs from the camera, depending on the camera settings. So it seems that the issue is purely technical and just for nikon. I just found out that if you import canon or pentax raw file in lightroom it looks very close (not to say exact) to the image that you see on your rear lcd on your camera (the image that you expect to see) but this is not the case with nikon because nikon algorithms are proprietary and canon and Pentax gave the algorithms to adobe. I found this link that answers my question: So I tought that the raw editors can read this data and preset the sliders to this values as a starting point. This tag contains nikon data that is described here: It has a lot of camera settings that are stored inside the medatada in the raw file. Maybe there is some setting that I need to set to tell the editors to produce the jpeg exactly as the camera did or maybe I am missing something ?ĮDIT: Inside the metadata of the raw file there is a tag MakerNotes. I noticed that for the same raw file, they auto set different values for some of the parameters like exposure compensation, contrast, blacks, and other. I expected all these editors to produce the same jpeg but they do not. Then I also tried Photoshop and again got a little different image. This file also had a little different exposure compensation compared with the original jpg, and with the jpeg from the RawTherapee. I opened the raw file with Darkroom and exported in jpeg. I thought that RawTherapee does not work well. The one was a little overexposed and other had changes that I cannot describe. ![]() ![]() I expected these two files to look the same, but they did not. Then I opened the raw file in RawTherapee and without doing any changes I exported it in jpg next to the jpg file generated by the camera. I just started using RAW files (to be more correct I set my camera to RAW+JPG). ![]() Value should not be changed unless a web browser positions layers in By default it'sĮnabled in all browsers that support CSS3 Transitions except Android.ĭefines the maximum size of a CSS translation transform. They will disappear for the length of the animation. Whether markers animate their zoom with the zoom animation, if disabled ![]() Whether the tile fade animation is enabled. Won't animate zoom if the zoom difference exceeds this value. In all browsers that support CSS3 Transitions except Android. Whether the map zoom animation is enabled. Or L.Canvas by default depending on browser support. The default method for drawing vector layers on the map. Geographical bounds, bouncing the user back if the user tries to pan When this option is set, the map restricts the view to the given The highest of their maxZoom options will be used instead.Īrray of layers that will be added to the map initially The lowest of their minZoom options will be used instead. If not specified and at least one GridLayer or TileLayer is in the map, Set it to false if you don't want the map to zoom beyond min/max zoom Passed 'center', it will zoom to the center of the view regardless of Whether the map can be zoomed by touch-dragging with two fingers. The max number of pixels a user can shift his finger during touch Smaller values will make wheel-zoomingĮnables simulation of contextmenu event, default is true for mobile Safari. How many scroll pixels (as reported by L.DomEvent.getWheelDelta) User can't zoom via wheel more often than once per 40 ms. Limits the rate at which a wheel can fire (in milliseconds). It will zoom to the center of the view regardless of where the mouse was. Whether the map can be zoomed by using the mouse wheel. Makes the map focusable and allows users to navigate the map with keyboardĪmount of pixels to pan when pressing an arrow key. Solid, preventing the user from dragging outside the bounds. Slow down map dragging outside bounds, and 1.0 makes the bounds fully User to drag outside the bounds at normal speed, higher values will If maxBounds is set, this option will control how solid the boundsĪre when dragging the map around. Like markers and vector layers are still visible. Of the world and seamlessly jumps to the original one so that all overlays With this option enabled, the map tracks when you pan to another "copy" Max speed of the inertial movement, in pixels/second. ![]() The rate with which the inertial movement slows down, in pixels/second². The map builds momentum while dragging and continues moving in If enabled, panning of the map will have an inertia effect where Whether the map automatically handles browser window resize to update itself. Or - on the keyboard, or using the zoom controls. Means the zoom level will not be snapped after fitBounds or a pinch-zoom.Ĭontrols how much the map's zoom level will change after a 0.5 or 0.1) allow for greater granularity. Right after a fitBounds() or a pinch-zoom.īy default, the zoom level snaps to the nearest integer lower values Whether the map is draggable with mouse/touch or not.įorces the map's zoom level to always be a multiple of this, particularly 'center', double-click zoom will zoom to the center of the Zoomed out by double clicking while holding shift. Whether the map can be zoomed in by double clicking on it and Whether the map can be zoomed to a rectangular area specified byĭragging the mouse while pressing the shift key. Set it to false if you don't want popups to close when user clicks the map. ![]() Whether a zoom control is added to the map by default. Whether a attribution control is added to the map by default. Whether Paths should be rendered on a Canvas renderer.īy default, all Paths are rendered in a SVG renderer. Instantiates a map object given an instance of a HTML element Instantiates a map object given the DOM ID of a elementĪnd optionally an object literal with Map options. Usage example // initialize the map on the "map" div with a given center and zoom The central class of the API - it is used to create a map on a page and manipulate it. |